Stevie Nicks' solo career was off to a strong
start before the 1981 release of her first solo album Bella Donna. Nicks had
major hits via a duet with Kenny Loggins in 1978 ("Whenever I Call You
Friend") and John Stewart in 1979 ("Gold"). In addition, half of
the hits from Fleetwood Mac's 1979 Tusk album were penned by Nicks
("Sara" and "Sisters of the Moon"). The songs on Bella
Donna take these successes as their starting point and fill the rest of the
album with Nicks' more typically output.
The result was a shrewdly crafted classic rock
album that appealed strongly to both her existing fan base and the general
listener. Top 10 duets such as "Stop Dragging My Heart Around" and
"Leather and Lace" catapulted the album to the #1 spot, making Nicks
the first (and ultimately the only) member of Fleetwood Mac to earn solid
commercial success outside the group. So much for the question of whether she's
a viable solo act.
However, Bella Donna was much more than a
calculated star vehicle. "Edge of Seventeen" is Stevie in all her
mystical glory and has become a rock standard outlasting the more standard fare
such as "Stop Dragging My Heart Around." Other Nicks' songs, notably
"Kind of Woman" and "After the Glitter Fades," are
songwriting jewels proving she has the goods regardless of whom she partners
with. "Outside the Rain" is a great track if you're a Nicks fan, but then a solo album for a star like Stevie Nicks should cater to her fans a bit.
Bella Donna was the perfect album to get Nicks
established as a solo artist, and it does so without compromising her image or
style. That Nicks could pull this off in the all-boys'-club of late seventies
rock was no mean feat. As great as Bella Donna is, however, Nicks' next album,
The Wild Heart, would be even better.
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