Zazen and Brain Physiology

From time to time, my friend Paul sends me articles that speak to actual physiological changes taking place in the brains of people who meditate. Follow this link to one of these articles. The sample size is tiny so not sure this study proves much, but I'm certainly not surprised by what they found.
http://www.kurzweilai.net/mindfulness-meditation-training-changes-brain-structure-in-8-weeks

I have no idea whether what I do while sitting in zazen is 'mindful meditation' (or what that term even means). The part of the article that initially struck me was this quote from the lead researcher: “Although the practice of meditation is associated with a sense of peacefulness and physical relaxation, practitioners have long claimed that meditation also provides cognitive and psychological benefits that persist throughout the day.”

I wonder what 'practitioners' this researcher spoke to, because her statement suggests very little understanding about what meditation is all about. I think it's a common misconception that meditation (or 'sitting in zazen' for us Zen folk) is about finding 'inner peace' or relaxing. New Age mystics have kind of hijacked the practice of meditation from Zen Buddhism and turned it into a substitute for Valium or ritualized it so it's little more than window-dressing. Zen meditation is not about finding inner peace. According to Zen philosophy, every one of us already has inner peace. Inner peace is not something you have to search for; it's something you have to learn to stop running away from.

Similarly, relaxation is not the goal of sitting in zazen. While meditating definitely leads to a calming of the mind, this is just an ancillary - albeit a very positive - benefit. The goal of Zen, and therefore of Zen meditation, is to discipline the mind, to focus it, to rid it of clutter, to gain control over it. Far from trying to relax (a contradiction in terms if ever there was one), Zen meditation is about attaining an acute alertness. It's an alertness that is completely in the moment, focused, and serene. You are never sleepy or dreamy or zoned out while sitting in zazen. On the contrary, you are alert, sitting with erect posture, fully awake and conscious, and completely in control.

This alert but relaxed state is called samadhi. By learning how to go into samadhi, we're able to learn how to control our minds and by extension how to relate effectively to the world. This control and discipline is not harsh, rigid, or austere; it's a control that comes from simply being aware of ourselves, focused, and undistracted. It's carrying the sense of ourselves we find during samadhi into our everyday lives. When we can achieve this, it's extremely powerful because it enhances patience, clarity, focus, endurance, and prevents us from being derailed by people, situations, and emotions that are not relevant.

Attaining samadhi on a regular basis leads to all those positive things people often mistake as being the point of meditation: happiness, reduced stress, and a sense of relaxation. However, if you try to attain those benefits through meditation without learning to discipline your mind, you will find the benefits short-lived and lost within hours.

Ong-Bak (The Thai Warrior)

Ong-Bak (or The Thai Warrior) is the film Tony Jaa made before The Protector. Viewers for the The Protector, which is a definite must see martial arts film, will certainly see similarities between the two films. For one thing, the basic plots are almost identical. Tony Jaa plays a rural villager who goes to the big city to recover something stolen from his village. In The Protector it's two elephants, and in Ong-Bak it's the head of the village god.

In both movies, in trying to recover the object he's after, Jaa's character falls into a much bigger web of criminal activity. He ends up facing off against a corrupt crimelord and his martial arts trained right hand man (Johnny Tri Nguyen in The Protector and Atthapong Pantanaunkul in Ong-Bak).

While these similarities are certainly not to the credit of The Protector, which came after Ong-Bak, the two movies are very different in the way they unfold and the kinds of fight sequences that are delivered. Ong-Bak isn't the sheer frontal assault that makes The Protector so amazing to watch, but that fact also means Ong-Bak is a more economical film (and that has pluses).

There are some amazing acrobatics on display in Ong-Bak, most notably in the scene where Jaa and co-star Petchtai Wongkamlao (who also appeared for comic relief in The Protector) are running from a crowd of goons. Also, there is an early scene in the village where Jaa is 'practicing forms', which is a nice way to have him show off his skills early on. However, the movie also contains the straight fight scenes fans of the genre want, most notably between Jaa and several adversaries in an illegal Bangkok fight club.

Jaa the actor is much less prominent part of the mix here. In this film, Jaa is primarily a martial artist. In fact, I question whether the number of lines of dialogue he is given gets very far into the double digits. Most of the speaking is handled by the always hilarious Petchtai Wongkamlao, supported by Pumwazree Yodkamol playing a tomboy street urchin whose relationship to Wongkamlao's character is something I still can't quite figure out.

While I could have lived without the Bangkok motorcycle-taxi chase scene, Ong-Bak is an entertaining ride. I'd probably say The Protector is the better movie, but Ong-Bak is the shorter, lighter, and more direct film and is definitely worth seeing.

Frozen

We've had wind chills overnight of -30 and single digit highs during the day, but I'm not talking about only the weather.

My sinus issues continue to keep me from going to martial arts. I plan to go and then find myself not getting enough air and getting tired or having a headache. Kind of depressing. This problem is also either stopping me from working out...or my increasing inertia is snowballing and just killing my drive to do anything. Lastly, there's decisions being made at work relating to whether or not I get a well-deserved promotion that will make a big difference in my choices career-wise. Until all these different things are resolved, I'm kind of frozen. It's not a good feeling for me, and it's slowed me down in meditating as often, writing (no haiku lately), posting on this blog, planning our vacation, meeting up with friends, etc.

Part of it is the upcoming surgery, which I know will knock me on my back for at least a week. Part of it is not knowing about the promotion. Part of it is the weather. It all is creating a kind of burned-out feeling, as if everything in my life is 'on pause'. Of course, I can't blame anyone for this except myself. I should have enough spine to just get up off my ass and change the direction of things if I don't like it, but I honestly don't seem to want to (which makes me feel even worse).

I'm probably being way too hard on myself. With all the unknowns and a surgery coming up, maybe I'm just instinctively cocooning myself. You know, just bracing myself for the big changes (good and/or bad) that I know are coming.

Anyway, that's why my postings have slowed down a bit lately.

The good news is that everything should be resolved fairly soon. The surgery will happen within a month (including all the pre-surgery doctor's visits and tests), and I think in the next couple weeks I'll know whether I have a career at my present employer or just a job. I may not be able to do anything about the weather, but winter should be less harsh about two months from now. So I guess I'm just allowing myself to slow down a bit and chill (no pun intended) and wait for the better times ahead since there's nothing much I can do to make the wheels spin faster.

Sinus Issues Continue

As mentioned in an earlier post, I've been having issues with breathing and sinus infections. Got in to see my ENT doctor, and they did a CT scan to see what's going on with my sinuses. As it turns out my septum is pretty badly deviated. It was quite bent to the right, which explains why that nostril is pretty much closed off much of the time now. Additionally, there is a bone spur jutting from the septum to the right. With all the tissue around this stuff, it's no surprise that any allergic response or cold or anything that inflames those tissues leads to my nostrils closing up.

The doctor explained the surgery to me, and I think it's a better option than just taking allergy shots or nasal sprays for the rest of my life. Of course, this will be the first operation I've ever had. I'll be put under and everything. Luckily, it's outpatient and the recovery time isn't long. Will definitely be off work for a few days though. In the meantime, I'll just have to make it until mid-February.

Given that this is going to be settled imminently, I'm trying to gear up to get back to hapkido. It's tough because there are definitely days when I know that my nose is too closed for it to make any sense to go. Hopefully, this will all be over soon. I'm really looking forward to being able to breathe like a normal person!

Fatal Contact

I have never seen an unassuming martial arts movie go so bad so fast. Fatal Contact stars Wu Jing in an ill-defined role in a very thin plot line about underground fighting in Hong Kong. That's not a huge problem though because there's a lot of charm and grit to the majority of Fatal Contact. The movie allows plenty of opportunities for Jing to show off his skills, and there's a good, off-kilter supporting performance from pop star Ronald Cheng. As a martial artist, Jing is certainly impressive. His speed is amazing, and I was repeatedly struck dumb by his spinning kicks and back kicks.

Despite all these positives, it's difficult to give this film even a half-hearted recommendation. Up until the the final match, the movie is decent and seems to know what it wants to do. Jing's character (Kong) is convinced to join the Hong Kong underground fighting circuit for easy cash. As he does so, his abilities lead to higher and higher stakes and he becomes conflicted by his increasingly violent use of martial arts.  The final straw comes when he is ordered to throw a fight.

At this point, the movie has set up a great finale for a penultimate fight sequence. Will Kong throw the fight? Will he realize that he's not using his skills in appropriately? How will he extricate himself from the underground fight scene he's joined? Further, I liked the cautionary aspects of the story in terms of what happens when you mix with the wrong people (the 'fatal contact' of the title?), and there were also some subplots with secondary characters that were interesting enough to make me want to see how them resolved.

No spoilers here, but as soon as the match Kong is ordered to throw ends (complete with rain falling on cue - yuck) you may as well shut the movie off if you're a martial arts fan. The action is over, and all that's left is a lot of cheesy melodrama until the film drags itself - a half-dead rotting carcass - to the rolling credits. Worst of all, the movie fails to satisfactorily resolve any of its plotlines or characters. It takes the easy way out across the board or simply doesn't even bother.

What happened? While director Dennis Law does a great job filming his movie, his talents as a screenwriter are slender and he is clearly incapable of resolving even modest character and plot conflict without resorting to over the top dramatics. Kong's inner conflict vanishes as if it had never existed, and Law should know better that to end a movie in this genre with a lot of weepy scenes as if it were a chick flick. It's not an exaggeration to say that Fatal Contact turns into an entirely different - and very, very bad - movie as it enters its last 20-30 minutes.

So the question is, could I watch this movie and just shut it off after the final fight? If so, I could haltingly recommend it. Unfortunately, the martial arts aspects of the film are not sufficiently wrapped up (nor are they ever). So despite really great performances by Wu Jing, I cannot recommend Fatal Contact. Wu Jing, however, has the goods as a martial artists and I'd love to see his skills highlighted in a (way) better film.

Memories Of Warmer Times

It's cold in Illinois these days, and it's going to get a lot colder before we get around to the warm weather again. My mom sent some pics to me from when Jim and I visited them in Panama City Beach, and I had to share as a way to beat the winter blues.  The first one is me and Jim down by the beach, and the second is me on a deep sea fishing boat. Didn't catch much this time around, but still had a good time. I can still remember my deep sea outing before this one. I caught something like eight fish. By the end of the six hour trip, I was grubby with sweat, fish slime, squid skin, and fish bait. There's a part of me that is still a little boy and likes to be dirty!

Fist of Legend

The last movie of my martial arts marathon is an absolute classic that I never get tired of watching: Fist of Legend.

Since Fearless is my favorite movie of all time, you'd think it would also have to be my pick for the best martial arts movie of all time. However, if I'm to choose the best example of the genre, I'd have to go with Fist of Legend. It's really everything that you want in a martial arts movie: a thin but serviceable plot, decent characters, acting that may sometimes seem stiff but never makes you completely gag, and - most important - lots of great fight sequences. Further, the film is directed and shot in order to best highlight the moves of the martial artists. Sometimes this makes for a rather crude look but it's just a sign that the director has his priorities straight. The master/student dynamic receives screen time, including some discussion of martial art technique and philosophy. What more could you ask for?

Of course, since the movie was made in the early nineties before Crouching Tiger, Hidden Dragon ushered in the age of more technical martial arts films (both wire-fu and true genre films), there is also ill-fitting music, cheesy sound effects, and strange dubbing. Personally, I do not watch martial arts movies with the English dubbing, though sometimes it's tempting so you can watch the moves more closely. I did check out Fist of Legend's English dub and the voices were not too bad (as far as that goes). Actually, I'm not sure what language this movie was originally shot in because the soundtrack in Mandarin and Cantonese does not match the lips of the actors any better that the English version! Strange!

In terms of fights, you will get your money's worth. You get not one, but two scenes of Jet Li taking on a crowd of adversaries. Add to that a fight between Li and co-star Chin Siu Ho (Tai Chi Master). By the way, Ho also gets some great action scenes of his own, which is great. There's a fight between Li and a Japanese master, as well as the final showdown with the Japanese villain. The plot is amusing enough to hold your attention until the next fight scene, and none of the fight scenes are overlong. Warts and all, Fist of Legend  is pretty perfect.

Another thing I like about this movie is that - even though it was filmed more than a decade before Fearless - it is actually a kind of sequel to that film. Li's character Chen Zhen returns to China to uncover the conspiracy behind the death of Huo Yuanjia, the master Li played in Fearless. Of course, the movies were not planned to fit together so there are plenty of things that don't gyve. Ho plays Huo Yuanjia's son, which will throw people who watched Fearless as in that movie Huo Yuanjia only had a daughter. Also the name of the Japanese martial artist who challenged Huo Yuanjia is different in this movie and his fighting skills are in question.

But these are minor quibbles (and are actually part of the endearing charm of this rough gem). Fist of Legend  would be my pick for best martial arts movie of all time, and I recommend it as a starting point for people who want to see a real representation of the genre as Li and Ho are in top form!

Thievery Corporation - It Takes a Thief

I've been listening to Thievery Corporation for about a decade now, and I have become more and more impressed with the intelligence and quality of music they bring to the table. I have also been thrilled with them of an example of how quality can rise to the top outside the straight jacket of unimaginative major labels and radio, the latter being little more than a promotion arm for the major labels. Also, Thievery Corporation's interest in global politics and speaking about what is going on in the world is arresting without crossing over into fierce polemic or pompous holier-than-thou attitude.

Aside from enjoying their work a great deal, Thievery has brought me into contact with many other artists that I also follow closely: Bebel Gilberto, Federico Aubele, etc. The ESL label that releases Thievery Corporation's work is in my list of links on this blog, and it's one of the places I check in for new music on a regular basis. Finally, during the last year, I realized Thievery Corporation is my 'favorite artist'. This was an odd realization as I hadn't had a 'favorite' musical artist for years nor cared much to discover one. I listen to so many different artists in different genres and from different countries and have done so for so long that it just didn't make sense to me to have a single 'favorite'. (Hopefully this realization is entirely about the music and only marginally informed by my tendency to pause when I see Eric Hilton posing impassively in a suit...niiiiice!).

Anyway....since I have all their albums (barring a few of the remix albums since I've always been most excited about their original full-lengths), I didn't need to do anything with It Takes a Thief - their 'very best of' retrospective - except download 'The Passing Stars'. But I'm glad Thievery Corporation released something like this. They deserve a retrospective because they've come a long way and their music has certainly changed over the years. At the same time, It Takes a Thief will come off very much as an 'album' rather than a disjointed set of tracks because Thievery Corporation is one of the few artists whose musical vision (and their actual chops in delivering on that vision) has been consistent and consistently solid even while exploring their vision and evolving it over time.

With all that said, It Takes a Thief is still a collection and is therefore bound to succeed for some and doomed to fail for others. As a sampler' of Thievery Corporation's sound, it does a great job and it's a definite good buy for someone who wants to get a feel for what these guys sound like. The album covers a lot of different moods and styles, and I like how they mixed up the tracks rather than presenting them in chronological order as this emphasizes the strong composing and musical performances that are par for the course with Thievery Corporation.

On the other hand, the set is probably doomed to fail for others because it is dubbed 'the very best of...'.  Excuse me, says who? This may be 'the very best' according to Garza and Hilton, but any collection of tracks pulled from their albums isn't going to live up to that moniker for most people. "Why didn't they include this song or that song?" is probably the quibble most listeners would have. However, this is really more of a compliment to Thievery Corporation than anything. When an artist has been putting out great music as long as these guys have, the term 'very best of...' becomes meaningless.

If you've ever had any interest in giving Thievery Corporation a listen, this is a great opportunity and a fantastic collection of tracks. I think I read on their facebook page that they're working on their next studio album. I can't wait to see what these guys do next!

Mumonkan, Koan 10: Seizei Is Utterly Destitute

Seizei said to Sozan, "Seizei is utterly destitute. Will you give him support?". Sozan called out: "Seizei!". Seizei responded, "Yes sir!". Sozan said, "You have finished three cups of the finest wine in China, and still you say you have not yet moistened your lips!"

No one who has experienced something can be 'utterly destitute'. Only a man who has never had a drop of water or wine, can be utterly destitute in terms of his thirst. The drinking of wine being a metaphor for Zen.

Sozan is clearly Seizei's master, and his scolding about how Seizei has tasted fine wine suggests Seizei is somewhat advanced in his studies and has experience with zazen, kensho, and maybe even satori. Therefore he is (and should be) capable of supporting himself. If he has reached a place where he feels 'destitute', then he must find the way out of that based on what he has learned so far. His master is there to guide him, to teach, to challenge, to mentor, etc. He is not there (nor is any teacher or master) to 'support' him. The same goes for all of us.

In a sense, Sozan's answer was the equivalent of saying: "Don't be a drama queen!"

2010 - The Year In Review

At the start of this year, I put together a list of seven goals I wanted to attain during 2010. 'Resolutions' if you will. I also posted an entry where I ranted about how unwise it is to create resolutions. Well, apparently I've proven myself right, for I achieved only two (maybe two-and-a-half) of the resolutions I made. When I realized this, I got kind of down on myself. Why wasn't I able to accomplish things I felt were important? What have I been doing all year?

To answer this question, I read back through this blog. What I realized is that the movie Up has the right idea. Life isn't the adventure you plan; it's the one that happens to you. No, I didn't achieve most of my resolutions. But I had some great experiences in 2010, and I achieved some terrific things. To celebrate the close of the year, I wanted to summarize the things I'm proud of in 2010:

1) I'm sitting in zazen on a regular basis, and I've worked through many koans in Mumonkan as part of my growth in Zen.

2) In Hapkido, I was promoted first to my green belt and then to my greenbelt/bluestripe. I've also begun sparring, so I'm getting to the next level of my training that way as well.

3) Jim and I returned to St. John's for a wonderful vacation, including a hike through the interior of the island to see petroglyphs.

4) At work, I took three small accounts and grew them so I have both key pieces of business (ad testing and brand tracking) on all three. One of the accounts is now in the Top 10 revenue generators for the office. At the same time, I was turned around the 'account from hell': a large account that has been losing money and driving employees to quit for over a decade. It's now making money and staff is stable.

5) I got back into reading in a big way. All year I was engaged in reading at least one book. I finished Moby Dick, meaning I got most of the way through a self-assigned goal of reading Herman Melville's novels in the order he wrote them. I also made substantial progress on my goal of reading the 20 novels in Emile Zola's Rougon-Macquart cycle. Five of them are under my belt.

6) I hit the weights on a pretty consistent basis all year long.

7) Over the middle six months of the year, I rode 272 miles on my bike. Not a huge amount of mileage, but it's still pretty good. Saw lots of wildlife and had plenty of time in nature. Plus it's just great to get outside!

8) Jim and I had a saw Lisa Lampanelli live.

9) A robin laid eggs in a nest below my study window, and I watched them hatch and grow.

10) I joined the 21st century with my first real cell phone (a smart phone, in fact), and I'm doing the 'connected' thing without sacrificing my private space.

11) Jim and I investigated the life-changing idea of buying and operating an inn. We worked on a business plan, toured a property we were interested in, interacted with members of the community, and met with Chamber of Commerce. While we decided against the project, it's still something we put effort into and allowed ourselves to be open to. An experience, if you will.

12) I proved my gentlemanly skill at 'holding my liquor' when my team at work went out to a club opening and I downed a glass of wine, a beer, a glass of vodka, three tumblers of Jack straight, and a Starry Night. No foolish behavior (well, okay maybe a little), no vomiting, and no hangover.

13) I was asked by a black belt to drill a group of kids on their kicks during Hapkido, proving to myself that I actually do have the ability to teach kids and nurture them! Very surprising thing to learn about myself as I did not think this was something I was capable of.

14) My bowling average has reached its highest level ever. 125! Okay, so I still suck. But it's the least I've sucked up to this point.

15) After years of little to no creative activity, I've been writing haiku to encapsulate insights I gain from my Zen studies. I'm back in the creative saddle again, and it feels really good.

16) I took a 'vacation to Chicago', where I checked out art museums I hadn't been to in a long time, saw some great underground theatre, hung out with good friends, and had awesome conversations.

17) I eat sushi now!

18) I danced my way through tapings of the Chic-a-Go-Go show with some of my closest friends, and then three of us went out for pizza. The first time we three have been together in person for years.

19) While snorkeling in Panama City Beach, I swam within a giant school of thousands of transparent fish with neon blue stripes inside them.

20) I have kept Zen Throw Down going for almost 2 years. As of this writing, I've had about 3,500 hits.

I didn't have the year I planned, but I had a great year nonetheless! I hope everyone who might read this did too, and best wishes for 2011!

Thank You For the Music!

Jim got me some great CDs this Christmas, and his sister Chris gave me a $10 gift certificate for iTunes. So I went shopping today! Last year, I wrote a blog entry defending the wonderfulness of gift cards against those who assert they are not 'approptiate' gifts. Here's the link:

http://zenthrowdown.blogspot.com/2009/12/joy-of-gift-cards.html

Since in that entry I suggest letting the person know what you bought...here you go Chris...all the wonderful stuff I was able to get with your gift card! Thank you!

Put Em Up EP - Ancient Astronauts
My purchases were pretty focused around the ESL label. Ancient Astronauts are a trip-hop outfit from Germany. I often dislike trip-hop of the kind they seem to produce (think Nightmares on Wax or Red Snapper) because the flow that most people love about this kind of music tends to bore me. The Put Em Up EP includes some sweet remixes that work better for me and get me chilled because it's a bit grittier and more melodic than the album versions.

Booty Lock - Frank Mitchell, Jr.
I heard the b-side to this single ('Body Mind') for free on ESL's website, where they make mixes of 5 to 6 tracks and then you can listen to them and buy the mix for a couple bucks. When I found the song on iTunes and saw it was the b-side, I had to check on the single. 'Booty Lock' was good enough to make me buy the whole thing.  Frank Mitchell, Jr. is a saxaphone player and vocalist who worked on Thievery Corporation's recent classic Radio Retaliation. This is his debut single and the music is funky, soulful deep house that's a bit more upbeat than most ESL stuff. Love it!

Tree Of Mystery - Kabanjak
Kabanjak is one half of the duo that makes up Ancient Astronauts (didn't know that). Picked up a few tracks off this release rather than the whole thing for the same reason I didn't buy the Ancient Astronauts full-length. Snapped up "Don't Worry", "The Man Who Spoke Flames", and a real mellow instrumental called "Rubicon". This stuff is really interesting, so I'm glad to have a few of these tracks in my collection. Will definitely see how they endure and watch for more Kabanjak in the future.

"Golden In The Gaze Of The Sun" - SW
I don't really know anything about SW but, given the global net lemongrassmusic casts to pick up talent, they could be from just about anywhere. This is a longer deep house track with a classic housey stacatto groove that is updated due to the ambience in this track. This track is from lemongrassmusic's Deep House Dreams 4 compilation, and I found it hypnotic in the samples so I was waiting for an opportunity to pick this up. Again, love the gift cards as I tend to use them in snatching one-off tracks from various artists I'm interested in trying out.

So that's what I was able to pick up thanks to Chris! But while I was shopping, I noticed French hip-hop artist MC Solaar has a release called Magnum 567 that is actually three of his albums (Cinquieme As, Mach 6, and Chapitre 7). And it looks like it's selling for the price of one CD! I have been listening to MC Solaar since the height of the acid jazz movement in the mid-90s. If you've been meaning to check him out, this is a golden opportunity! Of course, my favorite album of his remains his fourth album (I think) Paradisiaque.

As I mentioned, Jim got me some great CDs for Christmas, and here they are:

Amatorio - Federico Aubele
The latest by the Argentine guitarist and crooner. Reduced reliance on electronica and more focus on his vocals than on female singers as on hi prior two releases. Aubele is not the world's strongest voice, but his gentle delivery is a great fit for his music and guitar playing. I have all of his albums, and I'm really enjoying following him. Good to see that he's willing to alter his sound a little bit to try something a shade different!

Vieux Farka Toure Live
I was right! This was under the tree. Mississippi delta blues meets West African musical sensibilities. Can't wait to dive in, as I have snatched several free tracks over the last year from the ridiculously generous Six Degrees Global Noize blog. Link to the blog is on my list of links. You won't regret it!

Rue De Paris - Aqua Bassino
Scottish multi-instumentalist Aqua Bassino released this in 2006, but once I heard samples of this mish-mash of soul, acid-jazz, and electronica I had to have it! Haven't had a chance to dig in yet.

10th Anniversary - Kyoto Jazz Massive
This outfit of Japanese DJs are on the Compost label (Jazzanova, the Underwolves). I'd never heard of them before, but as often happens while trolling around the web and connecting from one artist to the next I stumbled on them. A double disk compilation that has more than a little acid-jazz flavoring, including their work as well as remixes done for established artists like Incognito and Da Lata.

Moon, Sun, & All Things - Ex Cathedra and Jeffrey Skidmore
And now for something completely different! This is baroque music from Latin America in the 17th and 18th Century, with lyrics sung in the Quechua language. I've been slowly amassing a lot of really old music: Renaissance lute music, Elizabethan music, etc. Stumbled on this because one of the ensembles that pitch in are the Quintessential Sackbut and Cornett Ensemble. I have both of their albums and love them both, so I guess I'm a groupie!

Lastly, due to how I am increasingly impressed with each new Thievery Corporation release, I picked up the items in their catalog that I do not have. That includes the two CDs below: The Cosmic Game and The Outernational Sound. So, in short, I'm glutted with new music for the time being!

Zazen Table

For Christmas, Jim gave me this statue of a man kneeling in meditation. I gave him automatic points for being supportive (per Jim: "anything that makes you calm down is a good thing").

The photo here is the table I sit before when in zazen, and I've added the statue to it. The table is about 14" square, sits low to the floor, and used to have little or nothing on it. I certainly wasn't planning on buying 'stuff', because I felt the plainness better accommodates the purpose of zazen. Besides, I use the table as a writing surface (my journal and copy of Katsuki Sekida's Mumonkan and Hekiganroku are kept under the table).

As mentioned in a prior post, I've firmly resisted buying Zen books or knick-knacks (i.e., no fancy tables, meditation cushions, etc.) because I felt making such purchases was placing my focus and energy in the wrong direction. In keeping with this approach, this 'table' is a plant stand Jim wasn't using and which I converted into my zazen table. I picked up the stone from the shore of Lake Michigan during my 'Pete Retreat' in October of 2006. This was the retreat where I spent a week alone in the Michigan country without TV, cell service, or people. During that time alone, I made great strides in self-understanding, self-assessment, and shed a great deal of illusion. I also wrote The Ancient Elm cycle of poetry (posted on this blog). I keep the stone on my zazen table because it is a physical reminder of the mind-set I was able to achieve during the 'Pete Retreat'.

The statue Jim gave me serves a similar function. When he first gave it to me, I was kind of like: "Hmm, do I really want this? Isn't this exactly what I told myself I would not do." But when I looked at it, I found that it depicts a man sitting in absolutely perfect zazen posture: erect but relaxed, back straight, head up, legs crossed in a full lotus (which I still can't manage too well, by the way). When I sit down to zazen, one look at this statue spurs me to my best zazen posture without my having to think about it. So I plan to keep it.

I suppose, in the final analysis, some might say that all my thinking about the statue and the table and my 'philosophy' about it is a kind of delusion. Why expend any energy thinking about this? That's a valid question. Perhaps it is a weakness on my part, but I have found that it makes a difference if I exert some thoughtful control over my zazen environment. As a result, right or wrong, my little zazen table shoved in the corner of my room is special to me. It's where I meditate, write haiku, wrestle with koans, and experience kensho/satori.

Kiss of the Dragon

My martial arts movie marathon continues. I hadn't watched this movie in a long time, so I wanted to give it another chance. Unfortunately, as I remember, Kiss of the Dragon is a weak martial arts film despite some sweet fights. The problem is the movie makes the fatal mistake of giving other elements equal importance to the martial arts performances, as well as being afraid to sacrifice some polish in order to optimally showcase of the chops of its star (Jet Li).

I'm not saying martial arts movies can't have strong plots, sub-plots, character development, love stories, etc. Nor am I saying that they shouldn't use technically strong cinematography or art direction. However, these elements must always be made to serve - and serve-up - the fight sequences. If this approach is not used, a film will usually tear itself apart. It will not deliver enough martial arts action to please fans of the genre, nor will it have enough of anything else to please the rest of the audience.

In Kiss of the Dragon, Luc Besson (a really talented writer/director) gives way too much screen time to a subplot with Bridget Fonda playing a crack ho trying to get her daughter back. Fonda gives it her best, but she's sunk by limp dialogue and the fact no one is watching for any reason except to see Jet Li. Additionally, director Chris Nahon clearly doesn't understand the genre at all. He shoots the entire movie the way he would if this were a Rambo film: loads of cutting, objects in the foreground, flashy cinematography, etc. That's fine for standard action flicks, but a martial arts movie often has to forego some of that polish to allow the audience to get a real good look at the martial artists in action. As a result of this inappropriate direction, even the strongest fight scenes in the film - and there are some good ones - don't have the impact they should because the movie gets in the way of us watching them.

Another aspect of the movie I did not like - again arising from the fact that the people in charge of the film just don't get this genre - is that there is nothing in the screenplay that provides Li's character with any kind of motivation or back story that suggests the spirit of the martial arts. Frankly, this movie could have starred any Hollywood action actor if you replaced the martial arts with gun fights.

Kiss of the Dragon is a timewaster at best. Even going in with that assumption, the best way to watch this movie would be to use the chapter menu to see Jet Li's fight scenes and then bail.

Sushi on the Menu

For the better part of twenty years, I have kept a mental list of foods I want to like but don't. I want to like them because they are easy to make or acquire in a fully prepared manner and because they are very healthy. In each case, though, I simply cannot make myself eat them because I dislike the taste or texture. Every couple years I make myself try these foods again in hopes that I will 'acquire the taste'.

This approach has worked for me before with yogurt. I used to hate the feel of yogurt in my mouth, even though I knew it would be awesome to have this as a snack food. One year I tried it and BAM; I liked it! And I've been eating it ever since. I think these are the key items on the list at present:
1) Oatmeal - Even warm and with cinnamon, it tastes like cold mucus to me. But it smells really good, and I'd love to wake up to that each morning.
2) Spinach - Bitter as an nasty old woman. But it's one of those dark green leafy veggies that is supposed to be so great for you. I've been able to eat it in pizza and as a side at Ethiopian restaurants. That's a start.
3) Sushi - It can taste good, but the texture in my mouth is just gross. I want to like it because it's seafood (good for you), and because I have this impression that it would be filling without making me feel bloated. Plus it's just kind of cool looking in the display, and I like those funky rotating bars.

The point of this post is that my efforts have paid off once again. Sushi is officially off the list and on my menu! I went to lunch with my good friend Cindy over this holiday, and she adores sushi.  I had a chance to try a bunch of stuff in a risk free environment. I loved it all! Some of it like the dragon roll (example pictured) did have cooked components, so I may be in the shallows of the sushi world as yet. In any case, I am psyched for my next sushi adventure. I know I can start with what I like and then pick a few weird items and, if I don't like them, oh well, I've still had a good, filling meal. Jim will never join me in this, so I'll have to latch onto Cindy for more lunch outings. LOL!

Happy happy happy!

Tom Yum Goong (The Protector)

The martial arts movie marathon continues...

The first thing that has to be said about The Protector is that the fight scenes are absolutely amazing! I'll just repeat what any review you might read about this movie is bound to say: the continuous shot of Tony Jaa fighting his way up the spiral stairs in the restaurant is without doubt one of the best martial arts fight scenes ever filmed. The single take approach in this scene and Jaa's athleticism make you to feel like you are right there watching him totally kick ass!

While I can't say enough about that scene, there are plenty of other amazing fights as well. There's a fight in a sleazy Thai 'massage parlor', a street fight pitting Jaa against a bicycle gang, Jaa against a huge black guy with the word 'pray' carved into his chest (and doing some crazy moves) in a burning temple, Jaa against what seems like fifty guys who he incapacitates one after the other in rapid fire movements. There's a let up between the fight scenes, but this movie really does not give you much of a break.

In fact, the international release of The Protector (over three hours in length), is an exhausting experience. It's so crammed with fight scenes and plot that I had to take a break! There's no doubt you will get your martial arts fix satisfied with this movie, and - as near as I could tell - almost the entire thing is real action. While there are a few scenes that could have been cut to make the film a little more digestible, The Protector dishes out action and fight sequences like an sub-automatic machine gun.

However, the film also manages to have a heart at its center. The first half hour or so has no fight scenes but set-up for the motivation of Jaa's character. This beginning is beautifully shot and very touching. From these idyllic Thai village scenes, the movie gradually moves deeper and deeper into a veritable heart of darkness of crime, drugs, prostitution, and black marketeering that will have PETA members crying their eyes out as they cheer Jaa on. If you're an animal right activist, you'll be on your feet during this movie, as Jaa's character is out to save his family's elephants - who are really integral members of his family.  This part of the movie involves some subtext that partially escapes me since I do not entirely understand the significance of elephants in Thai culture. Co-star Petchtai Wongkamlao's voice-over at the end explains some of it (they are a national symbol of Thailand). If so, then there's definitely a lot of imagery in the film around this (at the end an elephant saves Jaa's character in a very surprising way). However, I have no idea if it's a good subtext about traditions and national pride or just overwrought histrionics.

While Jaa is of course front and center and carries the movie very well, he gets quite a run for his money from an unusually strong supporting cast that elevate the movie with their presence. Johnny Tri Nguyen (he starred in and rocked The Rebel) plays a sexy street thug with sneering venom and very nearly steals every scene he's in. Petchtai Wongkamlao (who also co-starred with Jaa in Ong-Bak, The Thai Warrior) is hilarious as a feisty thinks-he's-hip Sydney cop. Xing Jing - a transsexual actress with a fantastic story in real life - plays a character deliciously clawing her way to the top of an organized crime family. Nathan Jones - a 6'11" Australian powerlifter (Fearless, Troy) - seems to be the go-to guy for a big bad white monster muscle, and he provides some real fun fight sequences. And you gotta give kudos to go to the actor who played Rick, the dumb white cop. In a hilarious reversal of racial roles, this guy has the thankless task of playing the side-kick cop who provides comedic relief but, when his character has outlived its usefulness, is unceremoniously capped.

The direction of The Protector is slick, masterful eye candy, again helping to set the movie at the top of the pack of martial arts releases. In the end, The Protector has a lot going for it. If you like martial arts films, it's a must see. If you require a great plot, you'll get that too although the story may be a little too scattered amongst all the side characters and subplots to have maximum impact for everyone. But one thing is for sure: when Jaa is doing his thing, The Protector is pure martial arts magic.

Happy Holidays!

I realized I didn't have a photo of our tree in the Holiday Bash post pics. Here it is, festive as always.

Happy Holidays to everyone who has stopped by Zen Thrown Down over the last year and a half, even if it's just for a minute or two.

I hope 2011 is a great year for all of us!

Haiku Thursday

garden of mountains
blind me to hills and vallies
journeys end and start

The Enforcer

My martial arts marathon hits a major piece of roadkill. This movie is a steaming pile of cow crap!

First of all, you have no choice but to watch it dubbed. Dubbing is always nasty, but the voices here remind me of something I'd hear on a Saturday morning cartoon. But that unforgivable sin pales when - after sitting halfway through this - I had seen no martial arts to speak of. Instead, there's scene after scene of some spunky little kid with his sick mommy and a woman police inspector whose point is...? The villain is a cartoonish douchebag who's not interesting enough to wait around for Jet Li to take out, and Li's undercover cop has 'fuzz' written so plainly across him that you just roll your eyes out of your head at the plot/script. I shut this piece of garbage off half-way through. Nothing was happening, and I was about to toss my lunch over the mom's deathbed scene (who cares?), the goofy lesbian gangster, and the bad dubbing. Avoid at all costs.

Worst of all is this is a Dragon Dynasty release! I have been head over heels in love with every Dragon Dynasty release I have purchased up to this point, but there was zero effort put into this and no legitimate reason why they would add such a poor entry to their line of martial arts films - especially in this condition. Obviously, I can't trust the Dragon Dynasty logo anymore. That's a big shame.

Hero

The martial arts movie marathon continues....

...although there's probably a lot of people who would call it sacrilege to describe Hero as a martial arts movie. The film relies very heavily on wire-fu, and the martial art performances take a back seat to flashy cinematography and art direction. Think Crouching Tiger, Hidden Dragon with an even greater emphasis on atmosphere and just enough swordplay to qualify for the fringes of the genre.

While Hero will likely fail to deliver on any level for a martial arts fanboy (or girl), there's no question it possesses the 'martial arts vibe' under its high gloss facade. Jet Li and Donnie Yen are two of the stars, yet Donnie Yen's role is almost a cameo. And while the fight sequences are definitely about art over form, the fight between Li and Yen works well very well and it's too bad that it couldn't have been longer.

In the end, Hero would be best described as a martial arts flavored arthouse film. If that description doesn't sound like your cup of tea, I assure you Hero is not for you. Otherwise, enjoy!

Sinus Cavity Issues

I'm very, very bummed out. I haven't been able to lift for a month, and I haven't been able to effectively practice hapkido in nearly two months. My sinus cavity had become so clogged and my deviated septum (i.e., when the bone under your nose is tilted so as to reduce the size of one nasal passage) had caused so much swelling that I couldn't get enough air to sustain any athletic activity without becoming winded within minutes. I tried to tough it out but, at the last martial arts I went to, I had to sit down twice gasping for air. The second time, I seriously thought I was going to pass out.

My ENT doc did a CAT scan, and it showed that I had fluid gathering in the blue and green areas above. The fluid and lack of other 'problems' is a good sign, because it means I've just got an infection. So they put me on my third set of antibiotics. This one is a doozy, though. Apparently, it increases the chance of muscle tear or injury. I'd probably be okay because the risk is greatest for older people, but why chance it? It's not like I can function properly in class anyway. They also put me on a steroid and an inhaler to open things up so I drain better. This has been great, because the drainage was clogging my throat like glue, and I constantly felt the need to hack. At some points, everytime I took a breath I could feel this weight of gunk in my throat. After all this is cleared up, I'm probably going to get surgery done to reduce the problem of the deviated septum, which is what makes these infections more likely to occur and really tough to get rid of when they happen. Plus, I'll be able to breath more easily in general.

In the meantime, though, I'm not about to lose my stuff! I scoured the web for all sorts of stretching exercises used by martial artists so that I can keep limber, and I've been practicing my forms religiously so I don't lose them. Now that the clogging is reduced, I may even try a little practice at home with the bag to keep my boxing skills at the level I'd got them to. I'll probably hold off on weights until well after the new year. Free weights are probably the most likely way for me to get injured, so best to avoid that.

I feel really guilty about ditching out for so long, but I keep telling myself it's the smart thing to do.

Zen Stairway Challenge

This challenge is a little something I concocted as a way to clear my mind and slow down. It was quite some time before I could complete a staircase. It's very, very hard. Give it a try sometime and see what you learn.

The next time you're about to walk down a flight of stairs, take the first step down and STOP. Both feet on the same riser, standing straight with your hands hanging at your side as if you plan to just stand there for a while.

First, feel how weird it is to stand still in a place our minds are so used to us moving in while not really thinking. Control your impulse to go down the rest of the stairs. Relax and do not move at all. Once you are able to do this for a few minutes (and I mean minutes not seconds), take the next step down and stop.

On this step, sort through all the 'to dos' in your head at the moment. Push all of them aside except for the ONE thing you plan to do when you reach the bottom of the stairs. By one thing, I mean: make a sandwich or empty the dryer (note not make a sandwich and eat it while reading a magazine or emptying the drier and then filling it with the clothes from the washer...I really do mean ONE thing). Think about this task all by itself as if it's the only thing you have to do that day. You need to spend a few minutes at least with this task to have a chance at getting it right. When you can clear you mind enough to focus on that one task, take the next step down and stop.

Now, think about the action you plan to take once you reach the bottom of the stairs. Whether you get there now or in ten minutes or a half an hour, the task will still be waiting for you (obviously you shouldn't be attempting this challenge if the cat is climbing the Christmas tree or the kids are beating each other with bats). The task is patiently waiting for you, not demanding your attention. There's no rush. It is the only thing you have to do. Think about what it would be like to stand here relaxed and quiet for 15 minutes knowing you'll be able to pick up your activities afterwards with nothing lost. If you're really doing this right, you should be feeling an odd sense or relaxation and serenity. Once you feel it, savor it for a few minutes. Then take another step down and stop.

Look at something around you, the less interesting it is the better. A piece of crumpled paper or a knick-knack on the shelf that you look at everyday. Look at it. Really look at it. Note how the light is hitting it or where there are imperfections or how it is colored. Recalling memories of when you bought it or what you've done with it is not what we're after here, because that's not looking at the object. Focus on it, not your reactions to it. If you're thinking much, it should be things like: "It's red" or "It's got some dust on the side".  Do not think about cleaning it (if you saw the dust) or how you use it or where you should move it or whatever.  In fact, dismiss any action thoughts because that only your usual undisciplined mindset trying to wrest control away from you. Once you have your action thoughts fended off and have spent several minutes with the object you chose, take a step down and stop.

Listen for some ambient sound. Maybe a bird singing outside or a plane passing by or the wind. Just listen to it. Your only purpose right now is to listen. During this time, you should not think about anything but the sound. Remember, you only have one thing that you immediately need to get done at the bottom of the stairs and it will be waiting for you whether you get there now or an hour from now. So no thinking or planning or fretting. Once you clear your mind and focus only on that sound, take a step down and stop.

Think about your breathing. Slow it down.  If you're doing this right, it should already be noticeably softer and slower. Slowly breathe in through your nose, expanding your belly to let the air in. Then slowly exhale, using your stomach muscles to gently push the air out. Do this for a minute or two.  Once you clear your mind and focus only on your breathing, take a step down and stop.

This should be plenty challenging but you can certainly keep going and add as many tasks as you like or pick a new sound or object for the remaining stairs or - best of all - reassert full control over your mind by taking the next step and then stopping to focus on your breathing again and nothing else. The goal is to eliminate thinking about anything outside of the moment you are in. No planning, no stewing about what he/she said the other day that pissed you off, no wondering what you will have for dinner. You should feel calm and 'blank' but yet feel extremely alert. You're not zoned-out, you're focused. What you are experiencing is a disciplined state of mind in which YOU - not the 'whirl of life' - are in control.

How many steps can you manage before you end up just darting downstairs? Don't feel bad if it's only one or two, this isn't easy at all. Attaining (and ultimately maintaining at all times) a disciplined state of mind that is clear, relaxed, and focused is one of the great goals of Zen meditation.

PS: Snatched the pic off the web. It's a stairway winding through the gardens of the Ginkaku-ji temple in Kyoto. No especial meaning for me; it just seemed like a good visual.

Ip Man

I'm off until January 3rd, and one of my projects during this time is to relax with as many martial arts movies as I can fit in. So expect to see a lot of reviews over the next couple weeks. This afternoon, I watched Ip Man for the first time.

Ip Man is a 'biopic' but - from the little I have read - it's probably only loosely based on its subject's actual life. Played by Donnie Yen (also seen in Hero and Seven Swords), Ip Man is a supremely talented martial artist who lives peacefully in Fo Shan, a place renowned for its martial artists. The Japanese invasion of China during WWII destroys his idyllic existence. Master Ip and everyone around him are suddenly poor and life becomes a brutal struggle for existence. In the movie, the former Fo Shan masters have to resort to going to a 'fight club' in order to earn bags of rice to stay alive. The film does a very good job of conveying the harsh existence of the time.


In the title role, Donnie Yen's serene presence works very well. I've noticed in all of his films that he has this calm but powerful vibe emanating from him. It makes him a great choice to play a martial arts master. However, he is also able to convey deep emotion just by very subtle things he does with his face or posture. For instance, when he smiles, it's so rare that it takes on major importance. When he calls the translator Li a traitor, there's a sudden hardness in his face that's just a shade different from his usual stoicism, but it's enough and it tells you everything you need to know. I found myself just watching him very closely because of this, and his performance rewarded the attention.

Admittedly, the plot of Ip Man is rather thin. There are several characters with arcs of one sort or another, but the movie ends up focused mostly on the horrors of life under the Japanese occupation as opposed to any deep insight into Master Ip or his philosophy (though there is certainly some of that to be found here). One big plus to this was that it left room for a lot of martial arts sequences to be smoothly woven into the story.

On the downside the focus on the occupation - especially through the dingy, depressing light in which these scenes are filmed - rendered Ip Man a bit cold and soulless at times. I feel like a good martial arts movie, even one dealing with dark or tragic subjects, should still reflect the spirit of the martial arts (which is not about darkness or post-modern angst). While the movie clearly wants to convey the horrors of occupation, I think it would have been a better move (and more poignant) to rely upon the actors and characters to get this across. For example, the scene where Master Ip confesses to his wife how useless he feels was extremely touching, as was the scene when Yuan opens the mysterious tin box his brother had been searching for. The desperation of the millworkers and that of the bandits who blackmail them was also compelling, but this conflict really didn't go anywhere specific.

Overall, I liked Ip Man and found it very moving, and I guess I'm picking at it because it's good enough to merit that kind of dissection. Most importantly, the martial arts sequences in Ip Man are very good. Much of the close-in fighting is especially tight and furious (and from what I understand the Wing Chun form is more about fighting at close range). Master Ip and Master Liu (another of the former Fo Shan masters) both had moves that make you want to reach for the rewind button. There was also great work from the actor who played the scruffy challenger from the north. A few less cuts would have enhanced the WOW! factor at times, and there is some unneeded use of wire fu. Not dissing wire fu in total, but the fact is that the best martial arts movies are the ones where you can best see the artists showing their skills with 'no strings attached' (that's why we watch!). So if you have good artists in the movie, it should be used sparingly. That said, Ip Man definitely delivers plenty of good martial arts, as well as a great performance from Donnie Yen and very moving story. Excellent movie!

Tai Chi Master

Tai Chi Master is a tongue-in-cheek film, but it still has the spirit a good martial arts flick needs in order to work. The movie has a great cast of characters headed by Jet Li, Michelle Yeoh (Crouching Tiger, Hidden Dragon), and Chin Siu Ho (who also teamed up with Li in the awesome Fist of Legend). I like this movie a lot, but it's probably not a film to rent if you're checking out martial arts movies for the first time. The production values are a little rough, which becomes quite evident with the wire-fu acrobatics (as in Crouching Tiger, Hidden Dragon or Hero). There's also a lot of slapstick humor. Sometimes it's really funny but other times...well let's just say you'll be scratching your head more than once.

What I like best about Tai Chi Master is the friendship between Jun Bao (Li) and Tien Bao (Ho) which sits at the core of the film. Li and Ho have great chemistry, and it's no surprise they have worked together more than once. Jun and Tien become instant friends when they meet as children and find they share a deep fascination and dedication for the martial arts. Jun is a naive and disciplined, while Tien is mischievous and ambitious. As young men, they go out into the world and take wildly different paths which lead them into fundamental conflict with one another. The connection between the characters and the two male leads is what makes the film work.

The plot is good, yet still works in serving up lots of fight sequences. My only gripe there is that, with a star like Li, it's hard to understand why they went so over the top with some of the wire-fu. I'd have been much happier just watching Li do his thing without the effects. Wire-fu often requires too many slo-mos and cuts to work well in a movie that's a rough in the production department. A heavier focus on real fighting would have made the movie even stronger. I imagine part of the reason for the choice is that with the tongue-in-cheek tone, the action sequences needed to be a bit more cotton candy. Think an American action movie with their sometimes over-the-top stunts.

By the way, make sure you watch/buy the uncut international version with the option to watch in the original language with English subtitles. If you want dubbed English, you'll have the choice. I mention this because many martial arts movies are chopped and hacked for US audiences and sometimes a way to tell if you're getting something like that is that they don't offer Chinese with English subtitles as an option. I bought Dragon Dynasty's Special Collector's Edition of Tai Chi Master to ensure I got the real deal.

No Haiku For You!

Sorry, no Haiku Thursday this week. For all the millions of people who were sitting on the edge of their seat waiting for this week's post, I apologize. Blame it on the holidays! Oh all right, I admit it. I'm just lazy!

iPad

I am creating this post on my new iPad! Tried to post a pic, but can't figure that out just yet. I looooove my iPad!

Holiday Bash 2010

Each year, Jim and I throw a Holiday Bash for our friends. It's become a bit of a tradition with a big spread by Jim and a holiday grab bag event. Been doing it for something like 8-10 years now and this one was one of the best yet! Had about 32 people there and, as always it was a varied group, but everyone is friendly to everyone else whether they know them or not, which is what makes the parties so much fun for me. Here's some pics...as always click them for a larger view. Happy Holidays!

Battle of the Warriors

A martial arts movie that is more battle epic than hand-to-hand combat, Battle of the Warriors takes place in China almost 2500 years ago. My Chinese history is a bit - er - dusty, but the movie does a great job of laying out the background. This is a wartorn time, and the city of Liang is about to be besieged by an army that has to steamroll through it to get to their real military target. Raw deal.

Enter Ge Li (the amazing Andy Lau), a Mozi that the slimy king of Liang has begged to come protect the city. How can one man defend a city against an army? With brains, strategy, and cunning psychology. While there are plenty of battles in this movie, the real core of Battle of the Warriors is the planning - the game of chess - that takes place between the invaders and Li as each side plots their next move or parries that of the opponent. I've never seen a war movie that is so much about the tactical planning of war, and it was fascinating. Of course this focus means the movie is a little slow at times, but I was never not interested. The battle scenes are really creative and the tactics devised by each side to attain their objectives are amazing. I even recognized tenets I remember reading in The Art of War surface in Ge Li and his adversaries' thinking, which was awesome!

In addition to masterful battle scenes, Battle of the Warriors also has tremendous cinematography, wonderful acting, and great costumes and sets. There's even a tragic love story thrown in. As affecting as the love story was, I'm glad they kept it at the subplot level. I generally find it a weakness when a martial arts film lets a love story get too front and center; this one is kept on the backburner where it belongs and it adds spice rather than getting in the way of what the movie is really about.

The main theme of the film is how war only creates more and deeper conflict, a sentiment Andy Lau's Li actually verbalizes in one of the final scenes. This theme is illustrated very effectively in the way different characters become mistrustful, turn on one another, and backstab or even destroy each other (sometimes unintentionally) as a result of the conflict they are trying to win. This theme is also given life by the fact that Ge Li is a Mohist/Mozi. Of course, this piece of the story will be a bit unclear for some viewers. For example, about half way through the movie a character accuses Ge Li of always talking about 'universal love'. Huh? The guy never said a word about it up to that point! As far as I recall, anyway.

This piece of the movie relies on a bit of historical backstory that is probably obvious to Chinese audiences. I had to look it up. The Mohists apparently were militant pacifists during this wartorn time. They were master strategists who defended people from large armies as a means of thwarting military ambitions, and there's some religious/philosophical underpinnings to their beliefs that are generally distasteful to anyone in a position of power. As such, to defend the city Li does not launch attacks. His work is all defensive, yet very much aimed at prevailing. In this case, the goal is outlasting an army that can't afford the effort and losses of a long siege. Li's defenses are cunning, powerful, and deadly enough to daunt even a battle-hardened army. In short, he's not the kind of pacifist who gets his way by sticking flowers in the barrels of guns. He's someone you do NOT want to be stuck attacking!

I enjoyed Battle of the Warriors, and I'd recommend it to martial arts buffs who are okay with no hand-to-hand combat epic flicks and will have some patience for the few times the plot demands it. And thanks to Dragon Dynasty for bringing another great martial arts movie to US audiences!

Haiku Thursdays

raking all morning
winds scatter the leaves again
a day well spent

Toothpaste on Chic-A-go-go

Here's the performance of Toothpaste, with me , John, and Gretchen rocking in the back. Camilo - Gretchen's boyfriend - is the lead singer. Rock that puppet, Gretchen!

Chic-A-go-go

Gretchen's boyfriend is in a band called Toothpaste that performed at a cable access show called Chic-A-go-go. Obviously the name of the show is play on the city's name, and the show bills itself as a 'dance show for kids of all ages'. With over 700 shows, Chic-A-go-go has been go-go-going for a long time (sorry, couldn't resist that little bit of wordplay). It's sort of like a psychedelic collision of Soul Train and Captain Kangaroo. Off-beat bands perform, there's a knock-knock joke telling rat puppet, and many of the people who attend as audience members dress up real crazy.

I met up with my friends Gretchen and John at the Chic-A-go-go studio this evening, and we danced through a series of tapings. Bonus was that there was a phone-in guest 'appearance' by Fred Schneider of the B-52s! The show - and our dancing - will be airing on cable TV sometime soon, though I'm not sure I'm ready for the world to see that. Assuming I can live with it, I'll post it on here. In the meantime, here's a picture of us (along with a friend of Gretchen's on the far right and Gretchen's metalhead puppet) standing on the Chic-A-go-go set.

After the taping, Gretchen, John, and I went for pizza and then a drink in Greektown. Wonderful night with great friends and lots of catching up!